Отправлено: 24.02.14 18:31. Заголовок: dushechka пишет: Я ..
dushechka пишет:
цитата:
Я всегда считала, что это именно мастер Чхоту, которого помимо ТАНЦОРА мы видели еще в МАТЕРИНСКОЙ КЛЯТВЕ и ПРОЗРЕНИИ.
конечно это один и тот же пацан...но никак не Девган!!! Т.к. впервые он(Девган) появился на экранах в 1991г.!!!И первым его фильмом был...по моему "Phool Aur Kaante"....
Отправлено: 05.04.14 09:17. Заголовок: Ravi Valechahttp://f..
Ravi Valecha
если кто переведет..
Master Ravi, our original junior AB for the sheer number of films we have seen him play the childhood parts of AB – Amar Akbar Anthony (1977), Desh Premee (1982), Shakti (1982), Coolie (1983), to name a few. Younger Brother of child star Master Rajesh (Rajesh Valecha), he started his career with Fakira (1976) and went on to do 300+ films in various languages. We possibly saw him for the first time in Amar Akbar Anthony (1977) and could never forget the little kid uttering “Chhotu Tujhe Bhook Lagi Hai” in his sweet innocent voice. We absolutely love him in the films Tumhare Bina (1982) and Kaya Palat (1983) among others. However we believe that one of his best performances was in the film Shakti (1982). The most important scene of this father-son story is when little Vijay kidnapped by the goons overhears his father, a policeman saying that they can go ahead kill his son but he will not give-in to their demands. This instils bitterness in Vijay for his father and forms the crux of this story. Believing that his father does not care about him, he tries to escape from the goons. The expression in his eyes when he looks at Narang (played by Kulbhushan Kharbanda) who sees him hiding was absolutely brilliant. As an adult he was seen in TV Series Shanti (1994) and a guest role in Ye Meri Life Hai (2004). Today, he is Head of Hospitality and Facilities for one of India’s top Private Sector Banks. An MBA in Hospitality and International Business from NIM (Ahmedabad), he has had a multifaceted career spanning over two decades in the Hospitality Industry. He also grooms youngsters who want to be part of this Industry on Personality Development and Soft Skills for engaging with guests. We wish him the very best in life, good health and great success in his chosen field.
Ravi Valecha has had a multi-faceted career spanning a period of 19 years in the Hospitality Industry. He has a Diploma in Hotel Management, Institute of Hotel Management (Mumbai), 1992, and an MBA in Hospitality and International Business from IIM - Ahmedabad.
Remember the little girl singing “daadi maa daadi maa, pyari pyari daadi maa, dekho zara idhar dekho, gussa chhodo daadi maa” to her angry Daadi (Shashikala) in Ghar Ghar Ki Kahani (1988)? Popularly known as Baby Guddu, Shahinda Baig is the pony-tailed twinkling bright and charming child star of the 80s. We wonder how Daadi Maa managed to get angry with her. She is the cutest little princess we have ever seen on screen. Her innocent face and adorable smile made a special place in our hearts. We probably saw her first in the classic Colgate Toothpaste advertisement on Doordarshan. Her most prominent film role has to be from Samundar (1986). Playing the role of a little girl kidnapped by someone she called her ‘Dost‘ but unaware of why she is being kept away from her family, Guddu did a wonderful job and her chemistry with Sunny Deol was very endearing. Only she could have pulled off singing “achhe bacche zid nahin karte” to a Sunny Deol. Our favorite scene is the one where he faints due to bleeding. Guddu runs towards the sea to get water but the water slips through her fingers before she can reach him. She tries 2-3 times but all in vain. She then fills water in her mouth and spills it on his face to bring him back to consciousness. In films like Aakhir Kyon (1985) where she had a smaller part to play, her mere presence was enough to add to a mother’s suffering of being separated from such an adorable child. She was last seen on the big screen in Inspector Dhanush (1991). From what we have read, she is currently based in Dubai, working with Emirates Airlines. Here’s wishing her the very best in life.
When we decided to dedicate our next article to our loved child artists, we never thought it would be such a fulfilling experience. Though this post is more about our impressions of them, we tried to find as much information about each of them as possible, right from their real names, to their works, pictures, interviews and most importantly their current whereabouts. We realise that though they were kids, the job they did was no child’s play. They gave up on their study time, play time, to entertain us. There is a lot of sweat, hard work, injuries even abuse behind those innocent smiles and tears. Today all of them have grown up and are at a different age, a different stage of their lives. Some have moved on to newer things while some have continued being under the arc lights. We are fortunate to have got an opportunity to interact with some of them and express our admiration. We hope this post will intrigue some of you to go back and see the wonderful work done by these little performers.
For those who have grown up watching films of the 70s era will agree that Master Raju is an integral part of their childhood. Who can forget the little chubby-cheeked Sanju saying “K for Karna Hai” in Parichay (1972), the little chugalkhor brother of Nandu in Amar Prem (1971), the little boy who scolds Amitabh Bachchan (AB) in Abhimaan (1973) or Pintu Babu holding his grandfather’s stick in Bawarchi (1972). In all these films he is barely 5-years-old! Its amusing how this little fellow must have understood and enacted his parts, saying all those lines with expressions and not a bit camera conscious. We have read that there was a time in the 70s when virtually no film would be complete without this talented boy contributing his mite to it. Remember Piloo Mistry with his characteristic ‘hee hee hee‘ laughter in Khatta Meetha (1978), Bobby singing “Hoon To” to AB in the song “Main Pyasa Tum Sawan” from Faraar (1975) or his endearing acts in Daag (1973), Deewar (1975), Khushboo (1975), Dream Girl (1977), etc, the list is long.
Raju has won two coveted awards among others – the National Award for Best Child Artist in Chitchor (1976) where he followed Zarina Wahab to the most romantic of locations much to the discomfort of the film’s leading men and the Filmfare Award for Best Child Artist in Kitaab (1977) which definitely is his most special performance. Kitaab (1977) takes us through the experiences of a school boy, Babla who runs away from home because he feels no one understands him. Raju was absolutely fantastic throughout the film but there are two scenes where he has no dialogs, just expressions which show the maturity of this little performer. First is Babla’s moment of realisation when he hears people surrounding a dead beggar on a railway platform. Second is the last scene of the film when he hears the Blind Singer (with whom he had spent some time earlier) singing in a train pass by. The expression on Raju’s face is priceless. Woh Saat Din (1983) was possibly his last film as a child star. As a grownup we most likely saw him first in the TV Series Chunauti (1987) playing a drug-addict college student. We have very faint memories of that show now (it had our most favorite TV Series Title Track till date “Har Pal Jeevan Kaaaaa Ek Chunauti Hai” sung by Amit Kumar). He has continued working in TV Shows and Films all along till date. You are a forever special artist Raju, may God bless you with a Healthy, Happy and Fulfilling life.
Ух ты!!!Спасибо, Натали, большое! Очень интересная информация, ещё и с фото!!! NATHA пишет:
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Shahinda Baig(Baby Guddu)
Какая талантливая девочка!!! Здорово играла ( не смотря на свой маленький возраст) во многих фильмах, особенно люблю её в Семье-это было что-то невероятное!
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